Actual Colors May Vary {ACMV}

Kategorie: Exhibition

  • Sarah Moon | About Colour

    Sarah Moon | About Colour

    Exhibition: 20.02. – 05.04.2014
    Michael Hoppen Gallery
    3 Jubilee Place, London, SW3 3TD

    It is difficult to summarise Sarah Moon’s fantastical photography – almost thirty years of image making has made Sarah Moon a legend in her own lifetime. Well known for her personalised commercial and editorial work since the early 1970s, Moon has continued to investigate a dream world of her own invention, without repetition or compromise. For more than thirty-five years, Moon’s heart-stopping fashion images have bucked every so-called commercial trend, from the need to establish eye contact – it is only rarely there – to the belief that the most alluring fashion photograph must be glossy, even hyper-real.

    ‘About Colour’ brings together new, old and unseen works, photographed exclusively in colour. (mehr …)

  • Levallois Photography Award 2014 | Call for Entries

    Levallois Photography Award 2014 | Call for Entries

    The call for entries for the 7th edition of the City of Levallois Photography Award is now open until May 10, 2014. The 2014 panel of judges will be announced soon.

    This contest is open to any photographer aged 35 at the most, regardless of nationality. Artists must present a not previously published or exhibited body of work.

    The grant consists in a 10,000 euros prize and the production of an exhibition during PHOTO LEVALLOIS, that will take place this year from October 10 to November 15, 2014. (mehr …)

  • Léa Habourdin | «Cahier de Doléances» & «Book of Possibilities»

    Léa Habourdin | «Cahier de Doléances» & «Book of Possibilities»

    Léa Habourdin « Cahier de Doléances » & « Book of Possibilities »
    exp12 / exposure twelve, Greifswalder Straße 217, 10405 Berlin
    Opening: March 7, 2014 at 7 pm
    Exhibition: March 8 – April 6, 2014
    Opening hours: Sat 4 – 8 pm / Sun 2 – 6 pm

    –

    Man is an animal that can turn toward his own helplessness. “ *

    The French photographer Lea Habourdin presents with “ Cahier de Doléances “ and „Book of Possibilities “ two of her works in the gallery exp12. Her work is about the tension between the instinctive, innate behavior of animals and humans‘ social behavior which is determined by the rules of rationality within our society. (mehr …)

  • Der Greif | Call For Entries: Exhibition »A Process«

    Der Greif | Call For Entries: Exhibition »A Process«

    Der Greif – an interesting magazine for photography & literature – is calling for entries for their first exhibition. Submissions are free and open to everyone. There is no specific topic. Deadline for entries is March 10th, 2014, 11:59 pm Central European Time.

    For all further details please visit their → Submission page. (mehr …)

  • Juliane Eirich | Itoshima

    Juliane Eirich | Itoshima

    Juliane Eirich | Itoshima
    Vernissage & Buchpräsentation: Freitag, 28.02.2014, 19 Uhr
    (In Anwesenheit der Künstlerin)
    25books, Brunnenstr. 152, 10115 Berlin

    Juliane Eirich kannte Japan schon von früheren Besuchen, als sie im Sommer 2011 zurückkehrte, um hier zu arbeiten. Aber dieses Mal war vieles anders. Einige Monate zuvor hatte sich die Reaktorkatastrophe von Fukushima ereignet. Die Begeisterung für und die Neugier auf das fremde Land mischte sich mit einem unterschwelligen Gefühl der Angst und der Bedrohung. (mehr …)

  • Ralf Schmerberg | augenscHmERZ

    Ralf Schmerberg | augenscHmERZ

    Ralf Schmerberg | augenscHmERZ
    pavlov’s dog raum für fotografie, Bergstraße 19, 10115 Berlin
    Eröffnung: 20. Februar 2014, 19h
    Ausstellung vom 21.2.2014 – 29.3.2014

    Es gibt keinen Schmerz ohne Herz, kein Licht ohne Finsternis, keine Angst ohne Hoffnung, und umgekehrt.”

    Als Ralf Schmerberg vor zwanzig Jahren mit dem Filmemachen begann, entschloss er sich gleichzeitig, keine Auftragsfotografie mehr zu betreiben, denn wo ein Auftrag ist, so sagt er, da ist Geld, und wo Geld ist, da sind auch Erwartungen, denen sich die Bilder schließlich anpassen müssen. Stattdessen benützt er die Fotografie seit dieser befreienden Entscheidung als ein ganz persönliches Medium, eine Art Tagebuch, in dem er festhält, was ihm auf seinen Reisen und Spaziergängen begegnet. Unbeeinflusst von fremden oder auch eigenen Erwartungen, ohne ein Seriendenken oder einen Anspruch auf ästhetische Exklusivität im Hinterkopf, folgt er dem einfachen Impuls, Dinge, die ihn emotional bewegen, fotografisch festzuhalten. (mehr …)

  • Jenny Fitz | Kammerspiel

    Jenny Fitz | Kammerspiel

    For four years, Jenny Fitz, a graduate of the Neuen Schule für Fotografie Berlin, accompanied a young actor for her project Kammerspiel. In her work, the photographer questions the habitus and role-play of people from her social environment.

    At first it was curiosity that made me take the pictures, and later the urge to grasp our relationship. It’s a story about boundaries. Getting close. Pulling away. What constantly fascinated me, was the unpredictability with which he confronted me and the camera.“ (mehr …)

  • Mark Curran | The Market

    Mark Curran | The Market

    …what people don’t understand… is that what happens in the market is pivotal to their lives… not on the periphery…but slap, bang, in the middle…
    (From telephone conversation with trader, name withheld, Dealing Room, Investment Bank, London, February 2013

    After recent installations in Ireland at both the Gallery of Photography and Belfast Exposed, Mark Curran’s long-term project on the global stock and commodity markets titled, The Market, is now travelling to Paris:

    Mark Curran « The Market »
    Centre Culturel Irlandais in Paris
    Vernissage: 30 January 2014, 6.30-8pm
    Exhibition: 31 January – 2 March 2014 (mehr …)

  • Dagmar Keller + Martin Wittwer | Passengers

    Dagmar Keller + Martin Wittwer | Passengers

    „Passengers“ is the result of an observation Dagmar Keller and Martin Wittwer made at night at a bus station while travelling through Poland.
    For a moment, the passengers on an old bus, obscured behind stained, ice-covered windows, in the pale light of the bus station had the appearance of figures in a painting. Travellers, fallen out of time. Tired, lost in thought, their faces drawn by sadness or lit up with joy – so close and yet distanced behind the glass. Dagmar Keller and Martin Wittwer have preserved those quiet, fleeting moments in their series “Passengers”. (mehr …)

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